VAST 4.0 has become a serious step forward. While VAST 2.0 and 3.0 mainly solved the tasks of video delivery and basic tracking, VAST 4.x is focused on a more mature video advertising ecosystem.
In the center of attention were:- High quality video;
- CTV and OTT;
- Server-side ad insertion;
- Secure interactivity;
- Identification of creatives;
- Verification;
- Brand safety;
- Compatible with global advertising requirements.
Mezzanine: the path to high-quality videoOne of the key innovations of VAST 4.x is the support for the
<Mezzanine> element.
In previous versions, the advertiser or platform could specify multiple
<mediafile> with different resolutions and bitrates. But these versions of the video often had to be prepared manually in advance.
<Mezzanine> solves this problem differently. It allows you to specify a high-quality source video file, which can then be transcoded to suit different devices, screens, and playback conditions.
This is especially important for OTT and CTV, where users watch content on large screens and expect high-quality images.
Advantages of Mezzanine:- Convenient operation with Full HD, 4K and higher resolutions;
- The ability to automatically adapt to different devices;
- Less manual preparation of different versions of the video;
- Better compatibility with SSAI providers;
- More stable quality in premium video equipment.
This is especially true for Eastern European media groups, streaming services, and CTV platforms: the Smart TV market is developing, and advertisers are increasingly expecting quality comparable to television placement.
UniversalAdId: unified identification of creativesAnother important element of VAST 4.x is
<UniversalAdId>.
It allows you to assign a unique identifier to the commercial, which helps all participants in the chain understand which creative was shown.
UniversalAdId solves several tasks:- Unified accounting. An advertiser, agency, ad server, SSP, DSP, and publisher can compare data on the same creative.
- Creative control. The risk of a situation where another file is shown instead of the agreed video is reduced.
- Brand safety. The brand gets more control over which creatives are launched and where they are reproduced.
- Anti-fraud. Unique identification makes it more difficult to substitute a creative and helps to more accurately audit advertising impressions.
UniversalAdId is especially important for international campaigns in Eastern Europe. When one brand launches videos in several countries in the region, a single identification helps link campaigns, creatives, and reporting into one clear system.
Interactivity: the transition from VPAID to SIMIDFor a long time, VPAID was used for interactive video advertising. It allowed the creative to interact with the player and create more complex formats: buttons, shapes, overlays, interactive scenarios.
But VPAID had a serious drawback: the creative got too much access to the logic of the player. This could lead to crashes, security issues, increased latency, and verification difficulties.
SIMID, the Secure Interactive Media Interface Definition, has been proposed as a more secure alternative. In this model, the interactive creative does not directly control the player. It works in a more controlled environment and sends requests to the player to perform certain actions.
Advantages of SIMID:- Higher security;
- Less risk of playback failure;
- Better player control;
- The interaction between the creative and the application is clearer;
- It is better suited for CTV and OTT environments.
For Eastern Europe, the transition from VPAID to SIMID is gradual. Many sites still use VPAID or HTML5 mechanics because they are already built into existing processes. But for CTV, premium video, and international advertising campaigns, SIMID is becoming an increasingly important reference point.
VAST 4.x and SIMID usage in Eastern EuropeThe level of VAST 4.x adoption is not uniform in the Eastern European markets. Major streaming services, CTV platforms, media groups, and technology partners are moving faster towards new specifications because they need quality, security, and compatibility with international requirements.
The main reasons for switching to VAST 4.x:
Demand for high quality. Users of Smart TV and OTT services expect high-quality images. Mezzanine support and correct work with adaptive video help ensure stable playback.
International integration. Global advertisers and agencies are increasingly demanding transparent identification of creatives, verification support, and a clear tracking structure.
CTV-monetization. CTV inventory usually costs more than classic web video, so higher demands are placed on the quality of the display and analytics.
Brand safety and the fight against fraud. The more budgets are spent on video and CTV, the more important it becomes to check creatives, verify impressions, and protect against incorrect placements.
At the same time, there is no complete transition to VAST 4.x in the entire region yet. Many players continue to use VAST 2.0 or 3.0 for practical reasons:- Existing SDKs and players are already configured for older versions.;
- Upgrading the infrastructure requires resources;
- Not all sites have a high share of the CTV audience.;
- VAST 3.0 is sufficient for basic pre-roll campaigns;
- Not all partners in the advertising chain are ready for VAST 4.x.
Therefore, the market is evolving evolutionarily: large players are introducing new elements faster, and medium-sized and small sites often move gradually, starting with individual functions.